11/19/2023 0 Comments Bleass motion fx![]() The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. It does not store any personal data.Necessary cookies are absolutely essential for the website to function properly. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. ![]() Necessary cookies are absolutely essential for the website to function properly. These parameters can be automated within any DAW. The Y-axis controls the effect amount (dry/wet). The panel’s X-axis determines the speed of the frequency shifter effect. TRANSFORM: Clicking, tapping and dragging on the Transform panel causes the reverb sound to be morphed and mutated by a frequency shifter. This “freezes” the current wash of reflections so that they continue to sound until the button is disabled. MOD AMOUNT: Controls the magnitude of the frequency modulation that will be applied to the reverb reflections.įREEZE: Enabling the Freeze button causes the reverb engine to stop listening to the incoming signal and to repeat indefinitely the reflections that are currently being created. MOD RATE: Controls the speed of an LFO that can modulate the frequency of the reverb reflections, resulting in a moving, shimmering reverb sound. Frequencies that lie above the cutoff frequency are reduced. HF DAMP: Sets the cutoff frequency of a low-pass filter that reduces higher frequencies within the reverb reflections. Low settings simulate smaller rooms with close walls high settings simulate larger spaces with distant walls. ROOM SIZE: Adjusts the reverb’s density and reflection characteristics. Higher settings give the listener the impression of being closer to the sound source, and can help that source stand out from the reverberations it creates. PREDELAY: Introduces a delay between the incoming sound and the onset of the resulting reverb. GAIN: Sets the input level of the signal to be processed (does not affect the direct “dry” signal). ![]() Choose between a low-shelving filter (upper button) or high-pass filter (lower button). When the filter is operating in high-pass mode, drag left-to-right to adjust the cutoff frequency, and drag up-and-down to adjust the filter’s resonance.įILTER TYPE: Sets the filter type. When the filter is operating in low-shelving mode, drag left-to-right to adjust the corner frequency, and drag up-and-down to adjust the amount of cut or boost to apply below the corner frequency. FILTER: The filter graph shows a visualisation of the current input filter settings, and allows you to change those settings by clicking and dragging on the graph. ![]()
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